|Title||Chokwe Mask Congo African Art Collection|
|Type of Object||Mask|
|Country of Origin||Democratic Republic of Congo|
|Approximate Age||20th century|
|Dimensions||Height: 13 Inches
Width: 7.5 Inches
Depth: 4.5 Inches
|Overall Condition||Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners. Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use. We examine each piece carefully when we receive it and report any damage we find in our listings. Please look carefully at the pictures which may also reveal condition and damage.|
Additional Information: This mask comes from the Chokwe people who are members of a large culture cluster living today in central Angola, parts of the Democratic Republic of Congo and in Zambia. This cluster is composed of a number of distinct but related peoples, the most prominent of which are the Chokwe, but the cluster also includes the Lunda, Ovimbundu, Lwena, Luvala, Mbwela, and Imbangala. As a result of the complex interaction of people the region has shared stylistic elements and figural forms based upon shared mythologies and ritual practices. Masks were used during Munkanda initiation rites for young boys and the Uyanga society, the men’s hunting association that instructed young boys in the hunt and also advanced men through a series of endurance tests. Other men’s asking societies appeared at funerals. Among the Chokwe dances are also the means to publicly demonstrate appropriate conduct and correct social behavior. During one version of a Munkada dance a masked figure known as Pwo, a Chokwe ancestor, representing an adult female, mature and beautiful who is dignified and spiritual reflecting all the positive attributes of an ideal woman who can serve as a Chokwe role model.
From the Collection of Robert Pearson, Denver, Colorado
Bob Pearson began collecting African art later in his life. He was a n engineer, inveterate climber, and long-time collector of books and paintings. Spurred by the Douglas Society at the Denver Museum of Art, and his friendship with noted collector George Heggarty, he began building an enormous, eclectic collection. His African art library grew to several hundred books. He loved textiles and “material culture”-things which had domestic use, like spoons, cups, stools, and chairs, as well as masks and carvings. His collection included items from more than thirty African countries, and his fine eye gave him pieces ranging from a golddust scale to huge Dogon figural ladders. Africa Direct is honored to have been chosen to sell them.