Lower-middle-class and working-class girls coming to the big city in the early twentieth century made all sorts of life choices, but in the popular fiction of the period a disproportionate number of them end up as chorus girls. Chorines turned into icons of American urban modernity—versatile, daring, sexy, and young. My article will approach this phenomenon by way of Owen Johnson’s chorus girl novel The Salamander, which appeared monthly in McClure’s Magazine from September 1913 to June 1914 before it came out as a book shortly thereafter.
In overturning Roe v. Wade, the Supreme Court has rejected the notion that Americans have a constitutional right to privacy, opening the door to states’ policing of the bodies of women and others who can become pregnant. While it has been widely noted that the rolling back of reproductive rights will affect Black and Brown women disproportionately, less attention has been paid to what this means for their experience of privacy. As some scholars have suggested, privacy feels definitionally impossible for women of color, insofar as racial visibility in public spaces leads often to surveillance and harm.