The music of Rohingya refugees plays an important role in communicating their coherent identity and expressing their resistance to the discrimination and oppression experienced in their country of origin as well as in their exile.
This informal resistance keeps their memory alive, transmitting that history through verbal and visual expressions to the new generations, and communicating information about themselves to outsiders.
These forms of expression, while suggestive of their identity and everyday resistance, occur mostly in an informal and indirect form, rather than in direct confrontation and protest. The informal means also reflect the Rohingyas’ pragmatism and coping strategies for living in the borderlands.
This according to “Music and artistic artefacts: Symbols of Rohingya identity and everyday resistance in borderlands” by Farzana Kazi Fahmida (Austrian Journal of South-East Asian Studies / Österreichische Zeitschrift für Südostasienwissen-schaften (ASEAS) IV/2  pp. 215–36; reprinted in Farzana’s Memories of Burmese Rohingya refugees: Contested identity and belonging (New York: Palgrave Macmillan, 2017).
Below, a Rohingya song with English subtitles.