(1905 - 1970)
Barnett Newman was a Jewish American artist.
He is seen as
one of the major figures in abstract expressionism and one of the foremost
of the color field painters.
Newman was born in New York City, the son of Russian Jewish immigrants.
He studied philosophy at the City College of New York and worked in
his father's business manufacturing clothing. From the 1930s he made
paintings, said to be in an expressionist style, but eventually destroyed
all these works.
In the 1940s he first worked in a surrealist mode before developing
his mature style. This is characterised by areas of color separated
by thin vertical lines, or "zips" as Newman called them. In
the first works featuring zips, the color fields are variegated, but
later the colors are pure and flat. Newman himself thought that he reached
his fully mature style with the Onement series (from 1948).
The zip remained a constant feature of Newman's work throughout his
life. In some paintings of the 1950s, such as The Wild, which is eight
feet tall by one and a half inches wide, the zip is all there is to
the work. Newman also made a few sculptures which are essentially three-dimensional
Although Newman's paintings appear to be purely abstract, and many
of them were originally untitled, the names he later gave them hinted
at specific subjects being addressed, often with a Jewish theme. Two
paintings from the early 1950s, for example, are called Adam and Eve
(see Adam and Eve), and there is also Uriel (1954) and Abraham (1949),
a very dark painting, which as well as being the name of a biblical
patriach, was also the name of Newman's father, who had died in 1947.
The Stations of the Cross series of black and white paintings (1958-64),
begun shortly after Newman had recovered from a heart attack, is usually
regarded as the peak of his achievement. The series is subtitled "Lema
sabachthani" - "why have you forsaken me" - words spoken
by Christ on the cross. Newman saw these words as having universal significance
in his own time. The series has also been seen an a memorial to the
victims of the holocaust.
Newman's late works, such as the Who's Afraid of Red, Yellow and Blue
series, use vibrant, pure colors, often on very large canvases - Anna's
Light (1968), named in memory of his mother who had died in 1965, is
his largest work, twenty-eight feet wide by nine feet tall. Newman also
worked on shaped canvases late in life, with Chartres (1969), for example,
being triangular, and returned to sculpture, making a small number of
sleek pieces in steel. These later works are executed in acrylic paint
rather than the oil paint of earlier pieces. Of his sculptures, Broken
Obelisk is the most monumental and perhaps best-known, depicting an
inverted obelisk whose point balances on the apex of a pyramid.
Newman also made a series of lithographs, the 18 Cantos (1963-64) which,
according to Newman, are meant to be evocotive of music. He also made
a small number of etchings.
Newman is generally classified as an abstract expressionist on account
of his working in New York City in the 1950s, associating with other
artists of the group and developing an abstract style which owed little
or nothing to European art. However, his rejection of the expressive
brushwork employed by other abstract expressionists such as Clyfford
Still and Mark Rothko, and his use of hard-edged areas of flat color,
can be seen as a precursor to post painterly abstraction and the minimalist
works of artists such as Frank Stella.
Newman was unappreciated as an artist for much of his life, being overlooked
in favour of more colorful characters such as Jackson Pollock. The influential
critic Clement Greenberg wrote enthusiastically about him, but it was
not until the end of his life that he began to be taken really seriously.
He was, however, an important influence on many younger painters.
Newman died in New York City of a heart attack in 1970.
Sources: Wikipedia. This article is available under the terms of the
GNU Free Documentation License