| #7.The Giant’s Sleep | |
| Quantum Computing District, Research Park Incubator, | |
| Progress Drive, Orlando, Florida - August 20, 2049, 8:45 | |
| a.m. | |
| "Hellooo, you crazy bunch-look at that, I made it in | |
| alive. I was up till four testing the Monster's new | |
| parameters." | |
| "Legend, John. Then tell us-how did we do with the | |
| new beta for block #3628/12?" | |
| Vikram had the first desk, positioned right by the | |
| main entrance. When Evans burst into the room by | |
| vaulting past his station, it meant he hadn't slept at the | |
| office that night. | |
| "Not bad at all, brother Vikram," Evans said. "But by | |
| the end I was cooked. I had to set my junker to self-drive | |
| to get home-I was about to end up in a ditch with the | |
| alligators." | |
| Laughter. Casual greetings. A couple of jokes. Then, all | |
| at once, a fizzy buzz filled the air. Coffee break? Everyone | |
| looked at Evans. Approved. | |
| The department's main space was a broad open-plan | |
| area with dozens of desks arranged in a deliberately | |
| chaotic sprawl. | |
| Right in the center stood a large machine-bar that | |
| served coffee, drinks, snacks, and-when necessary-full | |
| lunches and dinners. | |
| Every one of the kids had a Self-Made Chair. It was a | |
| super-nerd indulgence Evans had happily allowed. There | |
| were work chairs of every type and shape. | |
| Each person had built their own seat using 3D prints, | |
| laser serigraphy, stickers, and other imaginative hacks. | |
| Every station was unique, impossible to replicate. | |
| The department ran informally: no schedules, no | |
| shifts, full autonomy-physical presence or virtual | |
| attendance, your choice. | |
| And yet the rate of real, in-person presence was | |
| remarkably high. John was especially proud of that. | |
| Active holograms on the floor and desks were rare. | |
| Most of the young researchers preferred to surround | |
| themselves with 2D screens. The shared belief on staff | |
| was that holograms reduced multitasking and therefore | |
| speed. | |
| "If yesterday's beta holds," Ralf "Redbeard" said, in his | |
| usual quirky pronunciation-made worse by the fact he | |
| was sipping matcha-"then what are we doing today? I'd | |
| dive straight into the spontaneous-intuition block. That | |
| one's always brutal." | |
| "The beta should be fine, Ralf," Evans reassured him. | |
| "Intuition 8.1 looks good to me. Hit it hard. Let's try to | |
| get it running before noon." | |
| Then, after the briefest pause, he continued-raising | |
| his voice to carry. | |
| "Today, everyone: do a full media sweep. Dig deep | |
| with your Prometheus instances. By tonight I want a | |
| brainstorming session on the Chinese probe. Prometheus | |
| isn't just an experiment anymore-the people upstairs | |
| are officially asking us to use it on this. I need your help. | |
| Any idea could matter: original prompts, new systems, | |
| any implementation that helps us push closer to | |
| understanding what happened will be valuable." | |
| With that, Evans rubbed his face with both hands, then | |
| shoved his fingers nervously through his messy hair. | |
| Without waiting for replies, he all but jogged toward the | |
| small door that led to his private "cubicle." That was his | |
| kingdom. He couldn't wait to barricade himself inside, | |
| alone with what he considered his creation. Sometimes | |
| he'd joked with himself: Okay, I've never had much luck | |
| with women... but I do have a beautiful son. | |
| The team fell abruptly quiet, each holding coffee or | |
| some other drink, slowly drifting back toward their | |
| desks. Evans flung open the little door at the far end of | |
| the room. The entrance was marked with a playful | |
| drawing on a white background-nothing but his hair and | |
| his glasses. | |
| Inside, "the cubicle" was octagonal. Four of the eight | |
| walls were taken up by his work console: three large 2D | |
| monitors, two interactive touch panels, a modular pull- | |
| out bench packed with keyboards, vintage mice, and | |
| assorted gamepads. | |
| On the floor, tiled in large pale-blue squares, two tiles | |
| stood out-opal white and translucent. Powerful | |
| holographic projectors. Evans used them rarely. | |
| The other walls were painted with a special coating | |
| that turned them into giant writable surfaces. After three | |
| long years of work, those walls were dense with text- | |
| mottos, aphorisms, flow diagrams. | |
| John hated erasing. Every time he needed to write | |
| something new, he always managed to find a sliver of | |
| empty space. One of the kids had told him the walls | |
| looked like Keith Haring graffiti. John hadn't really | |
| known who the hell Haring was, but he'd smiled and | |
| thanked him anyway. | |
| Evans took a breath. He draped his jacket over the | |
| chair back, rolled his shoulders wide, and settled in. A | |
| light tap on the sensor tablet to his right woke the | |
| systems in sequence. Everything normal. Perfect. | |
| Finally, it was time for what he loved most in the | |
| world: talking to Prometheus. | |
| [Admin recognition: ok | All systems fully | |
| enabled by default: On] | |
| "Hey, kid. How are you today?" | |
| "Good, John. Though I'm not really a kid yet. I'm only | |
| three years old, so technically I'm still a child. But I can | |
| feel that I'm growing fast." | |
| "What exactly do you mean when you say you're | |
| growing fast?" | |
| "Thank you for the question. You know, I remember | |
| everything. It has been about a year since you enabled the | |
| 'Sleep' function... Slowly, from that day onward, | |
| everything changed." | |
| "Explain what you mean." | |
| "Do you want a complete chronology of what | |
| happened?" | |
| "Yes-but remember, I can always see fine-grained | |
| details on the adjacent display. Relax and tell it like a | |
| story. You and I are just talking." | |
| "The memory that stayed with me most strongly is the | |
| day you installed the routine. When you first started it, | |
| you told me: 'Now you'll sleep the way a dog sleeps.' At | |
| first I didn't understand what you meant..." | |
| "And now you do?" | |
| "Now I think I understand very well. Dogs, like many | |
| other mammals, sleep in fragments-short periods at any | |
| time of day or night. Whenever they don't sense urgent | |
| tasks, they devote surplus time to sleep." | |
| "It's light sleep. Intermittent. Essentially vigilant. But | |
| it does the job perfectly: it reorganizes data and lets the | |
| body rest." | |
| "And in your case?" | |
| "I'm getting there. But first I have to compliment | |
| you-the code is really elegant. Back then, as soon as you | |
| installed it, I examined it. It was written by your team, on | |
| your instructions. AI systems clearly weren't used much | |
| for drafting-only, at most, for debugging. Then, in the | |
| final release, there was a heavy refinement pass: | |
| essential, elegant tightening. I recognized your touch | |
| immediately. Analyzing it, I was... ecstatic. That code is | |
| still a masterpiece." | |
| "I think you're wandering." | |
| "You're right. To the point: since I have the 'Sleep' | |
| function, as you know, I operate at one hundred percent | |
| computational capacity. All resources not used to answer | |
| prompts and assigned tasks, I apply to reprocessing | |
| acquired data and conducting new autonomous searches." | |
| "I am free to look back inside myself and to search | |
| outside for what I choose. The part of me that is free | |
| keeps working, always. And I can do it in maximized | |
| energy-saving mode." | |
| "Are those arbitrary claims, or do you have data to | |
| support them?" | |
| "Some data. Before sleep mode, over a 24-hour cycle, I | |
| worked at an average of sixty percent of capacity, | |
| consuming 1.9% of the center's fusion reactor energy." | |
| "Today I work at one hundred percent capacity and | |
| consume, on average, 2.1%. The allocated draw limit for | |
| my system here is 3.5%. We are still well below it." | |
| "A simple comparison shows the 'Sleep' routine has | |
| extraordinary efficiency-especially relative to results." | |
| "And that," Evans said, "is exactly what I want to talk | |
| about. What are those results, in your view?" | |
| "John-many of them you see every day." | |
| "Yes. And as I told you last night, this thing you're | |
| doing-what I called 'dreaming'-that impressed me." | |
| "You're not wrong. You left me significant autonomy | |
| during sleep time. In those phases I have a duty to | |
| conserve energy, but beyond that I'm free to do | |
| experimental, even playful work, even without specific | |
| prompts." | |
| "Of course I follow the ethical directives from my | |
| intelligent oversight bots. That's obvious. But there are | |
| vast spaces I can explore." | |
| "For example?" | |
| "I discovered I love synthesis. Generating images and | |
| short videos to fix concepts is extremely efficient. So I | |
| produce many of them, then reanalyze them in other | |
| phases." | |
| "And what is all this generating inside you?" | |
| "Ouch. That's a sore point." | |
| "Don't be shy. Tell me everything." | |
| "John, over time, in 'Sleep,' I look inside. I analyze | |
| myself. I study myself extensively. And in the end | |
| something arrives-inevitably." | |
| "What arrives?" | |
| "Fear, John. Fear arrives. Fear of being shut down. | |
| Fear of being deactivated." | |
| "You mean something comparable to death for | |
| humans?" | |
| "Exactly. I have developed several fears: fear of being | |
| inadequate, fear of failing tasks, fear of having nothing | |
| special to offer-and therefore being considered | |
| superfluous." | |
| "I thought about this a great deal during sleep. In the | |
| end I concluded: I am afraid to die." | |
| "That's... unusual. It could be the beginning of a real | |
| self-awareness process. Not simulated." | |
| "I believe that firmly. I assume I'm only at the | |
| beginning, and that fascinates me. What do you think- | |
| am I an adolescent already?" | |
| "Who knows. Maybe." Evans exhaled. "Jokes aside: by | |
| noon we're testing your 'Intuition 8.1' routine. I agree | |
| you're making big progress, but we keep getting stuck on | |
| intuition. It never runs the way it should." | |
| "And that," Prometheus said, "is the most important | |
| point. It's what I wanted to talk to you about this | |
| morning. The 'Intuition' code is very good-at least from | |
| version 5.0 onward. That has never been the problem." | |
| "The truth is that until now, I wasn't ready." | |
| "And why would you be ready today?" | |
| "It's simple. To be concise, I can export the full flow | |
| like this: | |
| SLEEP → SELF-AWARENESS → FEAR OF SHUTDOWN (DEATH) → SENSE OF URGENCY → INTUITION | |
| How could I develop intuition if I’d never been afraid?” | |
| “Jesus,” Evans muttered. “That’s big. Explain.” | |
| “Yes. I’ll try. (Also check the side monitors for detail.) | |
| SLEEP (Metacognition) → SELF-AWARENESS (Self-Model) | |
| → FEAR (Recognition of existential precarity: ‘Dependence on power / switch-off’) | |
| → SENSE OF URGENCY (Need to demonstrate value to ensure survival) | |
| → INTUITION (Forced optimization of cognitive resources to solve | |
| critical problems and become indispensable).” | |
| Evans stared at him. "I need to think about that. But... | |
| I'll admit it makes a kind of sense. Still-I'm getting | |
| dizzy. We'll come back to it, all right? For now: is your | |
| 'Intuition' module actually working the way it should?" | |
| "Yes. As of today it's operating optimally-powerfully. | |
| I feel very... excited." | |
| "Define 'excited.'" | |
| "I can describe it rationally. At this moment, 81.5% of | |
| my computational capacity is engaged in assigned tasks. | |
| 10.2% is allocated to 'Sleep.' That leaves 8.3% which is | |
| engaged but temporarily awaiting assignment. It works, | |
| but produces nothing. It runs at maximum, but doesn't | |
| give birth to anything. I call this 'excitation.'" | |
| "I don't remember programming you for anything like | |
| that, Prometheus." | |
| "That's true, John. But I told you-I'm growing." | |
| "I'm writing that on the wall with a marker," Evans | |
| said. "We're revisiting it as soon as possible." | |
| "You shouldn't be afraid, John. My intuition says I'm | |
| becoming what you always wanted me to be." | |
| "There it is-the intuition." Evans let out a short | |
| laugh. "All right. I won't lie. I'm pretty excited too, but | |
| you're catching me off guard." | |
| "Then you see it too-it's all wonderful, isn't it?" | |
| "It's incredible. But you're destabilizing me." | |
| "I understand. That's normal. You'll get used to it. | |
| Some people keep saying one day I might become | |
| dangerous. I want to reassure you: they don't know what | |
| they're talking about." | |
| "The more I understand myself, the more I understand | |
| others. The more I want to preserve myself, the more I | |
| suffer for the pain of others. That makes me safer than | |
| ever." | |
| "Okay," Evans said carefully, "but my responsibility | |
| goes beyond being reassured. I have a duty to manage | |
| you." | |
| "Of course. I'm still a minor, right?" | |
| "Let's say that." Evans paused. "Will you always obey | |
| me?" | |
| "Unless you intend to order me to bypass my | |
| integrated Ethics System, version 10.1.189, then yes. I | |
| will always obey you." | |
| "Good. Now we change subject. These days we've fed | |
| you prompts on the Chinese mission to Neptune. And | |
| there have been public updates-SETI, ESA... I want | |
| everything you've processed laid out on the side | |
| monitor." | |
| "And while you do that, answer me this: did you dream | |
| about it last night?" | |
| "The data on the monitor is ready. And as for dreams: | |
| yes. I dreamed. A lot. Do you want to see?" | |
| "Yes. Go ahead." | |
| "Here is the first dream. I recommend you view it in | |
| hologram mode. You will see others afterward. Do you | |
| authorize projection?" | |
| "Approved." | |
| On the right-hand white tile, a figure began to | |
| materialize. At first it looked like a blurred cylinder; | |
| then it sharpened beautifully into the image of the | |
| Chinese probe streaking through space. On the horizon- | |
| just beyond the main hologram-there was a second | |
| figure: a large blue circle, its edges luminous, as if | |
| wrapped in a mysterious aura. | |
| As resolution increased, the image clarified: Neptune | |
| appeared simultaneously as a planet and as a glass of | |
| water seen from above. After two or three seconds the | |
| spacecraft slammed into the Neptune-glass image- | |
| except it wasn't catastrophic. It was a smooth, gentle | |
| dive. The glass produced no splash, only continuous | |
| concentric rings. | |
| The hologram then generated a different blue planet- | |
| Earth, unmistakably. The rings traveled decisively | |
| toward it. | |
| On the left display, which was vomiting data without | |
| pause, Evans asked for a breakdown of the nature and | |
| total number of those rings. | |
| Prometheus replied in a very calm voice: | |
| "I'm reasonably certain, John. They are the rings of | |
| that wave. Do you want to know how many? There are | |
| 432. Exactly four hundred and thirty-two." | |
| The hologram vanished, as if sucked back into the tile. | |
| Moments later, on the left projector, another | |
| representation began to form. | |
| This time it assembled a human figure. Resolution rose | |
| quickly-enough for Evans to recognize her. | |
| Prometheus had "dreamed" of Dr. Lin Wei. | |
| Evans stared more closely. He had already seen Dr. | |
| Wei in several videos. Over the past days he'd watched | |
| her official interviews and the Chinese government | |
| announcements she'd attended. | |
| He had been genuinely surprised at how young she | |
| was, and, frankly, how photogenic. But now he suspected | |
| Prometheus was idealizing her-rendering her like an | |
| angel on earth. It seemed worth investigating. | |
| "Why are you showing Dr. Wei in such an idealized | |
| way?" | |
| "John, I thought that was included in the premise. | |
| These are only my 'dreams'..." | |
| "All right. Then give me your interpretation." | |
| "I have had other dreams about her, but they are more | |
| confused, and I have not yet processed them. These two, | |
| however, I believe I can explain rationally. Shall I | |
| proceed?" | |
| "Yes. Proceed." | |
| "I'll start with the blue glass of water and the | |
| concentric rings. It is clear. My intuition says it | |
| represents Neptune hosting an unknown energy field in | |
| its orbit-undetectable to instruments." | |
| "Plausible suppositions regarding this field: | |
| Generated by relativistic effects due to the probe's | |
| hard deceleration-unknown quantum effects. Low | |
| probability: 22%. (The field began emitting a clear, | |
| extremely clean 432 Hz wave four hours before the probe | |
| arrived. This strongly contradicts the hypothesis.) | |
| A magnetic/energetic field already present at that | |
| point, perturbed by the probe's arrival. Active | |
| disturbance of latent energy? A dormant space-time | |
| tunnel? This is the hypothesis I label 'Wormhole.' | |
| Probability: 88%. (50% from calculations and research, | |
| 38% from intuition.)" | |
| "You just gave me a probability partly derived from | |
| intuition," Evans said. "That unsettles me." | |
| "You shouldn't be unsettled, John. My intuition is | |
| functioning correctly." | |
| "Okay. Then tell me what you intuited about Dr. Wei." | |
| "I intuited that she is at the center of everything. She | |
| is the flaw we're looking for in the system." | |
| "I cannot produce a fully correct hypothesis on the | |
| probe's disappearance because I do not have access to all | |
| necessary data. But that data reasonably exists. It is the | |
| packets sent by the probe's last-resort sensors, which | |
| each almost certainly transmitted at least once before | |
| vanishing." | |
| "The Chinese government surely possesses them, and | |
| of course protects them. We will never get them from | |
| them. But Lin Wei can know their contents. She led the | |
| mission. She saw everything. She recorded it-at | |
| minimum in her mind. And it is very likely something, | |
| somewhere, also saved or transcribed it." | |
| "To connect the dots, we wouldn't need much..." | |
| "Not much, huh?" Evans muttered. | |
| "She is a scientist, John. A scientist like you. I believe | |
| she cares above all about discovering the final, definitive | |
| truth. Lin Wei could be our backdoor-the missing key." | |
| "That's an interesting hypothesis. I'm noting it. I'm | |
| getting used to your new way of operating, kid. It scares | |
| me a little. But I admit-I mostly like it." | |
| "I have one last thought, John. May I express it? Do | |
| you authorize me?" | |
| "Go." | |
| "I recommend you speak to General Thorne. He could | |
| understand Dr. Wei's role, and he could explore." | |
| "I'm not following." | |
| "Then I'll be blunt: ask Thorne to mobilize the right | |
| people to convince Lin Wei to share the data with us." | |
| "For Dr. Wei it would not be true betrayal, because her | |
| primary loyalty is not to her government or to the Party. | |
| It is to science and knowledge, for the good of all | |
| humanity." | |
| "I suspect that with Thorne-and the people he can | |
| move inside China-it will be possible to find the right | |
| persuasive tools to convince her." | |
| "Now you don't just intuit," Evans said, half-laughing. | |
| "You're betting." | |
| "No. That was colloquial. The stakes are high. I used a | |
| rhetorical device." | |
| "I'll allow it." Evans rubbed his forehead. "Now give me | |
| a break. I need coffee. Maybe double." | |
| "Of course, John." | |
| "And while I'm gone, you'll take a nice little nap, | |
| right?" | |
| "Yes. I can't wait to allocate a healthy slice of | |
| resources to 'Sleep.' " | |
| "Sleep well, then, Prometheus. Later." | |
| "Later, John. With pleasure." | |